Thursday, August 21, 2014

Danger, Women at Work

So this is what's afoot.  



The freeform crochet, color is a pale sage green, on natural colored muslin pinned on a big hoop, probably a quilting hoop,  just to see it, will probably come off and a painted, frizzled, technical term, Tyvek will be on the bottom layer, the crochet replaced, and meandering about over the top of the Tyvek, and various insects and wee beasties in the foliage.  At least that's the plan.

Here's how the Tyvek painting looked with the  acrylic paint, metallic gold, applied with sponge brush, my fave tool.  



 

I had a fun time frizzling the Tyvek, and even more fun getting the acrylic back off the footplate, having forgotten the correct temp at which to frizzle.  Note to self: cooler than you thought.  But the acrylic came off obligingly onto the paper I was ironing through, so that was fine.





 Here it is all frizzled nicely, and after I trimmed down the frizzled painting, here it is in relation to the crocheted work stretched on the hoop
 
Then this habitat will need inhabitants, drawings of which you see here, along with the threads I have in mind to create them separately, using  the tiny hoop. 




 
I'll create the little bees and lizards and their friends, seen here in drawings, in goldwork with beading, for later affixing in their crocheted and Tyvek habitat.  Handmade paper will also feature in this work.  I already have some I embossed with a little honeycomb design.  And I molded little animals in handmade paper, which you saw earlier.  

It's shaping up to be a kind of fourth dimensional piece, where time is the fourth dimension, ghostly bees and lizards molded in pure white paper, along with lively ones in goldwork and beading.

A sort of update of Peaceable Kingdom, if Douanier Rousseau had known how to crochet, or to bead and stitch, or to do goldwork, or if Tyvek had been invented, or if he knew about even the third dimension, let alone the fourth, he being a flat, decorative sort of painter..cue Matisse..  Well, come to think of it, nothing like Peaceable Kingdom, more like Stitched Wilderness...

But exactly how this will all come about, don't ask me, I only work here!  this is one of those works I'm not in charge of.  It just has been coming over me in bits for several months.

And today, after reading a great history of Eliz. First, by Alison Weir, a great read,  my right brain, evidently tired of being quiet while I studied peace treaties and dates and political strategies,  suddenly presented me with this possibility.  Who am I to argue? 

Anyway, that's where we are.  Speaking of helpful, I hope, dear blogistas, you realize how helpful it is to the process to have this blog where I can think aloud and bang on about what I'm doing, knowing I'm being read with interest and curiosity.

I did one other small Tyvek work, you saw it in my exhibit earlier this year, and I think I need to do more, once I get this piece properly under way. The nice part is that it uses the studio, haven't been doing that much lately, and it also gives me portable bits to carry in to my embroiderers' guild meetings, always a nice thing.  So often my work isn't portable and I sort of chat and drink tea!

If anyone wants to know more about the Tyvek thing, just ask in the comments, and I'll be sure and say more next time. I hesitate to bore you with endless technical stuff, but I'm glad to talk about it if useful to you. Also to point out the precautions you need to take if you do it.

Wednesday, August 13, 2014

The Silly Season!

Time for some unserious, thisisnotart, stitching, for the silly season.  And a painted and stitched apron pretty much fits that
description for this cook! 




 

Stenciled from a stencil I designed and cut, using liquid acrylic metallics, then random painted dots, then split-stitched with mixed colors of floss, six plies.  

This apron was a gift to the embroiderers' group from a stitcher member, who brought in a bunch of them, thank you, Margaret.  She's working hers in drawn and pulled threadwork, which gave me a great idea for how to continue this design.  

Meanwhile, this is where we are!

Wednesday, August 6, 2014

Purses rule!

So I was at the library this morning, not the one where I exhibit, another, I use several libes, and the circ. desk lady admired my purse and asked if I'd made it.  They've seen a lot of my stuff, and received presents, too, so they're alert.  I explained that I had, and that it was made from string from the hardware store.  My favorite art supply store. 





She called over another libe lady and they were exclaiming about it, oh, just string, well, look at that.  I showed them the lining, a piece of linen, whereupon Libe Lady One, not missing a beat, said, oh that makes it high-end! whereupon we all fell about laughing.

It's simple double crochet, no pattern, I just crocheted till it was wide enough and long enough to double and crochet two sides, created a strap, crocheted it in place.  I've been using it for years, and it wears just fine.

And the little phone beaded purse, this one's for you, J, because I think that cord I used to crochet the strap is also from one of your care packages, along with the beads.  It looks exactly like a gold chain, just single crochet. I showed a pic of this before I'd added the strap, in case it looks strangely familiar.

Friday, August 1, 2014

Bringing in the Sheaves

So the latest gold and other work is done.  



I learned a few interesting things doing it, one being that I need to get on to something different now.  But I did find out that shiny thread mimics goldwork, and that three threads are enough to give variety to a small piece like this, uncomplicated design.  And only a couple of touches of very small seed pearls. These are from the box I scored at the thriftie recently, so they're in honor of a stitcher, to thank her.

Now I need to get on with planning the paper-and-stitching piece and choosing what to use for an or nue experiment, and how to proceed with the honeycomb and on and on.  And how to do the bee's wings using a standaway method.  And how the purl, cut tiny into beadlike bits, will work for the bee.  Or bees.

Some people have trouble finishing pieces, get lured away by new exciting projects. I have the opposite problem: absolutely must finish current work before I embark on another. 

While I finish up, I'm thinking about the next, trying a few little ideas, as with the molded paper, but to actually do it is an exclusive on my time!  But it does mean I get stuff done.

Anyway, this is where I am.

Wonderful blog, you must check this out

I just followed a link on Stitchinfingers, and came to this great blog:

http://andthenwesetitonfire.blogspot.com/ 

The title alone does it for me!  but there's some seriously exciting and interesting textile adventures going on over there.  Take a look!

Thursday, July 31, 2014

Late breaking news re mysterious Japanese textile piece

So, in the course of a few hours, one friend checking in from Vancouver, commented that the "stole" for want of a better term, looked just like the divider hung in the kitchen door of her favorite Japanese restaurant. 

Then another stitcher friend, handling the item itself last night said, hm, might hang in a doorway (whereupon I finally realized there was a rod pocket across the top, doh). 

Then a Rav friend who had consulted about this with another friend, said, it's a noren, a hanging that goes into your door frame, and she's got one in her kitchen.

Well, so will I as soon as the right tension rod arrives!  thank you all, eepy, Margaret, Kris and Paige, for wonderful input.  And now I'm not in want of a better term, Paige and Kris supplied me with it. 

When the rod arrives, I'll picture it in situ. Nice outcome.

Wheatears continues amid other distractions

Cursed with the need to finish one work before I can embark properly on another, I'm pushing to finish the ears of wheat in order to make room for the molded paper/stitching piece in my immediate future.  

So here's where it is.





Picture taken in sun and shadow, hence the differing light effects. But in fact it's not varied in rl.


The main reason I did this was to try my hand at padding, using felt and stitching over it for a raised effect.  It was kind of fun, if a bit endless cutting out all the tiny felt shapes to fit the various different sizes and shapes of the wheat bits, technical term. 

They are all different, which is what gives a bit more life to the piece.  If they were all exactly the same, they'd look static, a look I don't like in stitching. This is the sort of detail that escapes the casual observer, but makes all the difference to how lively a piece is.

Saturday, July 26, 2014

When Freecycling for friends turns up treasure

Still helping clear my friend's house, and freecycling once again, and her sister had kept out some items she thought should come to me, since she figured they have artistic value to me.  Was she ever right.





Here are pix: no the red brocade dress won't work for me. I'm small but not that small, and I'm sending that onto a good home.  But the stole (I think that's what it is, anyone who knows better, please say) with sashiko embroidery, stays.  I'm showing you the blue side of it and the red side, it's reversible.  

And the little tapestry with the stencil dyeing, complete with sales slip showing it's the work of a Japanese textile artist. It's katazome, I'm reading from the slip, made by a member of MoegiKai, an artist group specializing in dyeing, and in working in katazome.  The president of the group was named a national treasure.  So this is a seriously good group of artists.  The process of stencil cutting and dyeing is all handwork. No indication on the piece of who the artist is.  That stays, too.

I'll take both of these in to my stitching group and let them see, too, since there's interest in any textile art, particularly in sashiko, which one of our members wants to explore and maybe teach.

These items are very likely created for the tourist trade, since they came from a Japan trip made by my friend, but they're pretty high end. The blue of the stole is variegated in broad stripes, very subtle.

If anyone can tell us more about either of these pieces, the style, whether that piece is in fact a stole -- it's split to within about a foot of the top hem, and sits easily on your shoulders, ends draped down the front, which makes me think this --and so on, please do. 

What I've learned in the last hour!

Thursday, July 24, 2014

Ears of Wheat in progress

I'm in the process of working the ear of wheat design I adapted from a pattern I saw recently.  I cut felt shapes to match the parts of the wheatear, stitched them down, then using rayon shiny thread, split stitched around, and satin stitched up and down, the segments.

You'll see how the light affects this thread. It's lovely to see how it's bright one side, darker the other, depending on the angle at which you see it. It's the same thread, transformed by the light. This is why I persevere with this thread.

The rayon thread is nice to see, rotten to use -- it frays and splits and you need to hold it firmly at the back all the time so as to set the stitches.  I'll be doing some goldwork in this piece and probably some beading, too.  We'll see how it goes as it goes.



 

About the molded paper and stitching piece: that awaits the arrival of a stencil I ordered which has hex (honeycomb) shapes I can use to mold paper, so as to have a suggestion of a honeycomb around the bees I plan to include in goldwork.  Yet to be figured out.

Friday, July 18, 2014

Off the glass and on its way to the studio

Here's today's paper output, fragile, lacelike, lovely!  it took some doing to get it off the glass because it's so fine,but it came off and I have a nice supply to do molding with and see how it works.  You can see how transparent it is.  And the lovely natural ragged edges.






Perfect day for this today, mid 70s, low humidity, just what the papermaker likes.  Next I press the paper with weights, to make it flat enough to work with me. Then I'll be able to do the molding adventures.  I'm in search of small honeycomb structures to mold over.  Chicken wire.  Tiles.  Who knows.

Post of Paper Drying on the Windows

Here comes the post (that is stack) of paper, currently drying on the outside of my patio window.  This gives it a glassy side, the side on the glass, and a matte side, the one open to the air, once it's dry.  And it won't fall off.  I will peel it off after it's totally dry.  The white items on the chaise are the felts on which I made the paper, drying in the sun, too. You can see the reflection of some of them in the glass, too, interesting touch.



This paper is a mix of abaca and cotton linters (that is second cut after harvesting the cotton, very pure, very bright white), which I repulped from paper I made previously and which didn't get used in earlier projects.

This is the paper I plan to use to mold the animal shapes over.After it's completely dry and taken off the window, I can do the molding by resting the dry paper over the tile, then spraying it with plain water until it takes on the shape. Then I wait again till it dries enough to be removed without collapsing.

 By the way, I didn't credit the potter of those tiles earlier because I had not been in touch with him, didn't know if he wanted to be in this context.  So yesterday I emailed explaining what I'd like to do and asking if he minded my using his tiles as molds.  

He got back right away very generously, no, use them, that's fine, people have all kinds of uses for them, I make a lot of them. No prob, glad you like them!  so, if you want to know more about his work, check on Hjalmarson Pottery in Phoenix AZ.  Go here.  He's very good, and generous, too, true artist.

Thursday, July 17, 2014

Molded Paper experiment and tiles

The weather cooperated and dried the paper off pretty well, so I was able to unmold the pieces I put on the tiles and the shell.  Some of them were too fragile to hold up, so they will be repulped for the next paper I make.  However a couple worked out quite well, and showed me the next step to take.




Here you see the molded pieces and the tiles they came from, plus the shell core I used for a shape.  They worked okay for starters, but are not the finished product I hope to get. 

When I make my paper, I'll make it  sturdy, to keep the shape clearly when unmolded.  I took pix from two angles so you can see how important the fall of the light is for white on white molded paper.

And here's a sheet of rough ideas for insects to be worked possibly in goldwork.


Wednesday, July 16, 2014

In the meantime, research turned up this lovely blog

I was looking for ideas for a goldwork or other embroidered bee and other insects for my upcoming mixed media piece, and on my travels came across this very nice blog: 

http://embroideryoutsidethebox.blogspot.com/

I don't know the writer at all, but her work is so appealing I wanted to share.

Tuesday, July 15, 2014

Newsflash: Thrift store find leads to new artwork

So today, staying out of the house to let the cleaners have elbow room to work, I decided that it was a good day for the thriftie.  Very hot and humid and stormy, so playing among the racks of clothes and other fun stuff beckoned.

And on the wall where there are loads of plastic bags of vaguely related small items grouped, I found a bunch of little round clay tiles, with desert animals in relief on them, nicely glazed, too, clearly not the best of the pottery's  product overall, but very charming, and instantly gave me a great idea for combining handmade paper molded over these forms, with stitched versions of similar hanimals.

So when it got cool enough this evening to venture to the third floor, I dug out a few bits of my handmade paper, various kinds, as an experiment. If they work out, I'll make a new post of paper, any excuse you know, and summer is best for this, because of all the water involved, and the need to be outdoors.





Here they are, paper in place, sprayed down with plain water to accept the forms.  Bear with me, the lighting's terrible, just the lamps at my disposal, and I can't carry this tray until it dries.  I notice the water droplets came out nicely, though, how typical.  Not portable for days yet.  Way over on the right in the top pic is a lovely column which is the interior of a conch shell all the outside of which was weathered away by the ocean. Click to see marginally better.

And now comes the annoying part, waiting for them to dry completely before attempting to remove the paper from the tiles. Too soon and the shape, which is very fragile and hollow, will collapse. But the weather is so hot, especially up in the studio, where the AC only sort of works, that it might not be too long.

Meanwhile I'm figuring out how to relate the pieces to stitching, and think goldwork bees and lizards might be just the ticket.  I vaguely remember there are other colors in the spectrum, but I'm blinded by gold at the moment.  Then I have to figure out the logistics of the stitching probably on linen, paper way too fragile for this purpose.

So now I can improve the shining hour, like the busy bee, by seeking out bee ideas in stitching. Or by checking whether any of our embroidery blogistas know of a great source for goldwork bee and lizard and turtle and beetle shapes? 

Monday, July 14, 2014

Artist in Residency Four Sisters Tapestry is complete

So today, as part of the summer program at the library, I took the finished tapestry off the loom, 







did the finishing top and bottom, inserted dowels, and temporarily hung it back on the loom pending a more permanent location. 

There was a small but mesmerized audience for this process, and plenty of help from library staffers, Director Carol and gallery manager Donna. Donna obligingly stood by the downed tapestry to give you a notion of its dimensions against a human figure.  And friend Ruth Levy stopped by to admire the tapestry lying on the floor, after the dowels were inserted, and before it was hung.


Once off the loom, the tension needed to be adjusted, in the places where the inclusions had been put in, the sisters' faces, to be exact.  so I did a capital crime -- I CUT the warp at the back in just those areas, and tied it off in several places to release the work while not letting it unravel.  And it worked out just fine. Quite exciting, since nobody but me knew this was a form of emergency surgery.


 

We also set up a display table with two previous works created on the Earthloom, and I brought in two small weavings I'd done, one on a cardboard loom I created, one on an empty picture frame. And there were some very good reference books.

I will be letting the library have Four Sisters on loan as long as they'd like to, once they can hit on a place to hang it.  This is not an easy task in a library with massive glass walls, and open spaces, and very few solid walls on which art can be hung!  but the ingenuity of curator Donna is inexhaustible.


Here's the flyer of acknowledgment, which we had on display for people to pick up as they watched:


 
The Four Sisters tapestry weaving, created and worked on to completion this year on the Earthloom, by artist Liz Adams, is the first Artist in Residence project of the Library.
The theme of the intertwining and interweaving of the lives of four sisters, is a lifelong recurring meme of the artist, herself the youngest of four sisters.  The work itself, from conception, drawing of the cartoon design, warping and working, took approximately 60 hours, many of them on public view at the library, as a way to show the visiting patrons how a tapestry is created and the steps it takes to complete it.  The material preparation, from fleece to dyed yarn, much of which constitutes the work you see, took an entire summer several years ago!
Since Liz documented the work's progress on her blog, Art, the Beautiful Metaphor, as well as on her page on Stitchinfingers, an international website owned by Mary Corbet, a leading embroiderer, the piece has been seen at all stages by followers in many countries, some of whom wanted to take part, even at a distance. 
So it's appropriate to thank, first of all, all the blogistas, many, who commented and emailed with helpful comments and observations, much appreciated, since they are all textile artists in some form.
Then there are individuals to whom Liz owes a debt of thanks:

Maggi Johnson, who spent an afternoon observing the solo exhibit Liz had while the tapestry was in process, and who gave very helpful critique, Asha Francis, weaver and knitter, who donated beautiful silk and bamboo handspun yarn which is used in the detailed work, Judy Thompson, who gave beads from her basketmaking stash, for decorative additions, Paula Levy, who gave the original fleece from which much of the yarn was combed, carded, spun and dyed, then woven into this artwork, Girija Jain, who set relatives shopping in Mumbai for gold and glass beads which you see in this piece, and which were delivered by hand to the artist via Rajiv Jain.  Then there are the Ravelry website friends who donated the KoolAid in colors not obtainable in this region, when the dyeing was in process!
This has been a community piece, though it's the work of a single artist,  created by the community of artists.
And, since art needs an audience in order to complete the experience, thanks are due to the patrons who came to watch as the work progressed in the library. 
Donna Senopoulos, the gallery director,  has done a lot of unseen work to keep this work on track, and is much appreciated.
July 14 2014


And now I'm home, ahead of a big thunderstorm, yet another, with a nice glass of sangria and a Poirot to watch this evening, if the power stays on.

Thursday, July 10, 2014

Moving right along, beaded knitting learning and new goldwork design

This is a transition moment, the last of the three beaded knitted doodahs, and  a new goldwork design.




If anyone is interested in owning one of these teeny purses, good for small phones or change, or whatever you think up, I'm planning a little giveaway.  Not today, I  want to finish the latest before I do it.  Just issuing a heads-up here!  

The white yarn is practically antique, from I think the 80s, when did you last  see that kind of wrapper, Orlon?  It's from Karen's stash, in her honor, not great yarn, but just a nice memory of her.  There's more to friendship than natural yarns..and I experimented with different beads, getting different results, a kind of sampler that can be used.

Then last night at stitch in, I had a great time demo'ing the crochet technique of attaching beads to an intrigued audience who'd done beaded knitting the hard way -- endless planning and counting and threading on yarn and feeding up to the needles.  They liked this, thought it much easier and more spontaneous.  

I think in the end it's probably not faster, since the time saved in preparation is probably used up in the actual knitting, since each crocheted bead takes a bit more time than feeding up and knitting the same stitch.

After that I went on to the real purpose of the evening, to draw a new goldwork design, which you see here along with the knitting in progress.  

These wheatsheaf ideas I got from a bunch of instructions from Carol, our goldwork teacher, whose main interest is ecclesiastical embroidery.  Things like wheat and grapes feature in it, but have interesting secular uses too, and here's an adaptation.  I drew it with a fine Pilot Pen.

The original design was of a single stem of wheat, which I repeated once then put in a third, abbreviated, version to populate the space nicely.  The background will be the lovely white linen given by Carol, and I'll use gold threads, yet to be decided which, and I want to use felt to pad them, and satin stitch over or something yet to be decided.  I think I've got my goldwork mojo back.  The knitting helped with the frame of mind.

 

Monday, July 7, 2014

Art Pilgrimages Part Two

After the local exhibit, on to the Art Museum in Princeton, to experience drawings and a sculpture of Lee Bontecou, a powerful but emotionally draining artist.  She works a lot with soot and graphite on muslin as well as on paper.  The richest deepest black you ever saw.  







The quality of my pix leaves a lot to be desired, between the low exhibit light and the sheer size of the works. For a much better pic and more info, go here.

Her inspiration for openings and mystery has to do with ancient structures in Italy, and as I strolled around the Woodrow Wilson gardens after I was all wrung out with Bontecou, I noticed a couple of wellheads from Italy, which I saw in quite a different way after the exhibit.




In fact one of the wonderful things about really great art is that your vision is permanently affected by it.  You perceive differently and better and with more meaning.  




 Here, after the wellhead, I noticed all the different forms of structure at the bike rack outside the museum, with an outdoor sculpture in the background and the white summer umbrellas in place. 









I always make a point of walking the Woodrow Wilson gardens on a museum trip, since they change seasonally, and so do the people there.  This is the house and gardens of Wilson when he was President of Princeton, before he was demoted to POTUS.  Joke alert there.

Home worn out in every way, in a good way, to a cup of tea and a rest to think about the afternoon.

Art Pilgrimages Part One



Yesterday was hot but a great day to go out and experience some art.  First I went local, that is, to the Artists'  Group Invitational at the Gallery, and you'll recognize one of the items here.  

Wildly varied show, since our principle is that anyone may join our group if they're creating art, so we have many different levels of experience and execution.  It's all good.  This kind of show taxes the skills of curator Donna S. to the max.  And she always nails it.












This is our Summer Invitational and next Sunday is the reception, probably more pix of happy artists then.

 

Sunday, July 6, 2014

What the well-dressed phone is wearing

Well, that was fun. Here are the two phone cosies complete with beading, I created over the last couple of days.  The idea of the phone cosy (my phone has a lot of purses for the same reason) is to make something useful while experimenting with a new learning. If I were knitting a swatch for a bigger project, I'd probably create one that would work as a  phone cosy!








Here it was beading using a crochet hook from a great thriftie find, and yarns from Asha F.  The left one is beaded in a regular pattern, the right one beaded more freestyle.  I left a long tail when I cast off, which I used to stitch the cosies.  And I moved the seam back a little when I stitched up the bottom, so that it wasn't sticking out at one side, giving a better shape. Click to see better.

The blue beads on the white were from Judy T., the agate beads on the dark with copper were from a great freecycle.  I promised the giver I'd make good use of them. Simple garter stitch throughout, no need to get fancy when the yarn is fancy without any help. I do like a bit of glitter, and glitter with beads even more, and useful items yet more.

Friday, July 4, 2014

Fourth of July new learning amid sleeping and tv watching on a rainy day

Nothing much going on today, rainy, cool, sleepy day, so I wove a little purse on straws and finished it with crochet.  This needs to be stretched and pressed before I can see it better. Right now it's not worth looking at!

Meanwhile I thought it would be fun to learn something new.  In the toolbox of sewing supplies I acquired a few days ago, there was a minute crochet hook, the kind I've been wanting for a while. I needed it to learn how to do beaded knitting using a crochet hook to apply beads rather than doing the tedious task of threading them on the yarn, which involves counting and planning.  The crochet hook method suits my random nature, since you can place beads wherever it suddenly occurs to you.

So here's my new learning, white sparkly homespun yarn courtesy of Ash, wood beads courtesy of Judy T., thank you both.  





Note the little crochet hook, along with the size 2 bamboo needles. Click to see better.

If you want to try your hand at this skill, which is fun to do, go here for a verbal explanation, very clear, easy to follow, with still pix to illustrate.

It occurs to me that today I wove, crocheted and knitted. Interesting on a  day where I officially did nothing but watch Campion on a DVD and sleep on the sofa.