Moving away from the outdoor rural sorts of subjects in the last couple of days. Here's a facescape
and a cityscape
The palette, range of colors, I'm using, is mostly from the transparent nonstaining colors, aureolin yellow, alizarin crimson, cobalt and I think viridian. And a bit of burnt umber, but only a bit.
It's practically impossible to make mud accidentally with these, so I recommend them if you're wondering what colors to work with to embark on watercolor painting. And all the paintings to date I've done with a half inch flat brush. No pencil marks ahead of time, plunge in with the brush. Just fyi. And the paintings themselves are perfectly rectangular, but my camera skills are imperfect so they don't always appear that way.
As to the content of these pieces, I have a good idea of what I was saying, but I don't like to impose it on the viewer. Always open to hearing what you see in any of my work, though, because that's sometimes a surprise, sometimes not, but always useful.
Art, the Beautiful Metaphor, a gallery of original artworks by Liz Adams, and an ongoing work in progress, showing works in progress! My other blog is http://fieldfen.blogspot.com for opinion, commentary, books, food and movies All works by Liz Adams are copyright to her only, and may not be used in any form without explicit permission. Thank you for respecting my ownership.
Showing posts with label watercolors cityscape and facescape. Show all posts
Showing posts with label watercolors cityscape and facescape. Show all posts
Sunday, February 18, 2018
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